The total theatrical experience of the show is the bar by which other productions are measured. The quality of the show, from the performers to the lighting, sound, and set design, is so high that one cannot help but marvel at its' grandiosity. The cast of the second national tour is superb. The lead performers, Anne Brummel as Elphaba and Tiffany Haas as Galinda, have the perfect combination of vocal talent, character embodiment, and chemistry that makes the evolution of their characters' friendship come to life. I'll admit to a bit of bias here - I'm not a professional yet, so why not - because I camped out at the stage door a couple times and they were both so gracious with fans that it is impossible not to like them. It is pure joy watching them ham it up during "Loathing" and "Popular," touching to watch them connect during "Dancing Through Life," and heartbreaking to see them realize they must part ways in "For Good." The show's signature song, "Defying Gravity," lives up to the hype as Brummel delivers it with such determination and vocal prowess that I found myself exhaling after the lights came up (it ends the first act) because I had been holding my breath since the lift began.
|Tiffany Haas and Anne Brummel|
All aspects of the show's design are fantastic and were clearly considered down to the very last detail. The lighting design is perfect and underscores the characters' feelings and actions. During "The Wizard and I," the background transforms from a purple/pink/orange to an "Elphaba green," helping to convey her new realization of all of life's possibilities; being different is not a curse. From the slightly off kilter cut of the costumes to the thirteen hours on the time dragon clock and the tongue twisting wordplay (gratitution, congratulotions), all of the Ozian touches in the design transport the audience to another world.
Of course, a show can be beautiful to look at, but if there is no meat to the story then one is left with an empty feeling soon after leaving the theater. Wicked does not suffer such a fate, it is a thinking person's musical. The commentary on the conflict between getting what you want and genuine happiness is particularly affecting and presents the often harsh realities of life in a realistic manner that is not often seen in musical comedies. The secondary plot involving the Wizard's rise to power and his philosophy that the way to bring people together is to give them a really good enemy is eerily similar to the political culture in today's society wherein the name of the game is to swoop in with saavy marketing and rail against whatever topic will make ratings on cable news networks.
It is no doubt clear that I have nothing negative to say about the show, but I am not without a complaint. My complaint rests with the audience, who seems to think it is appropriate to check their phones, arrive late, and chit chat throughout the show. Yes, I am aware that my standards for the general public are much too high. Go see Wicked. The show deserves your support and you deserve to experience the show.
Thank you Wicked, it was a wonderful month! And thank goodness I've got one last performance to see tonight!